CommerciaLapse

The following panoramic time lapse video shows the view from the parking lot of a Giant Food grocery store located in Fairfax County, Virginia USA. The camera pans counterclockwise from north-northeast to south-southwest.

11 April 2026.

The video was recorded using my GoPro HERO4 Black action camera mounted on an inexpensive one-hour mechanical kitchen timer (available from Amazon). The camera was set for "Video" mode / "Time Lapse Video" submode at a resolution of 4K and an interval of one (1) second. Approximately 18 minutes of actual recording time resulted in 35 seconds of "raw" time lapse video, given the recording settings I used.

A sequence of three photos shows my latest magnet-free rig for mounting the mechanical kitchen timer on a tripod.

Side view of the rig.

The component parts, numbered in the preceding photo, are listed below.

1. GoPro J-hook buckle mount
2. GoPro flat adhesive mount
3. Kitchen timer (available from Amazon)
4. SmallRig Mount Plate for Magsafe Phones 5155
5. SmallRig Universal Power Bank Holder 2790
6. Manfrotto 323 RC2 Quick Release Adapter with 200PL-14 323

The SmallRig Mount Plate (4) is optional; the SmallRig Universal Power Bank Holder (5) is essential. The latter is so secure I feel comfortable using the rig upside-down for clockwise rotation.

View from the bottom of the rig.

I mounted a GoPro flat adhesive mount on the kitchen timer using the same "cludgy" way I added an adhesive mount to my "Orbit" two-hour mechanical hose watering timer. The process is described in detail in an earlier blog post: "Post update: Minor modifications of 'Orbit' panoramic time lapse rig."

View from the top of the rig.

Magnet mounts

The one-hour mechanical kitchen timer has a flat top and bottom: the top is metal; the bottom is magnetic. Naturally I thought the best way to mount the kitchen timer on a camera tripod would be to use some type of magnetic mount. The following list shows all the magnet mounts I tested. Spoiler alert: Every magnet mount I tried failed, for one reason or another.

1. Ulanzi R101 Universl MagSafe to 1/4 20 Tripod Base Mount for iPhone - eBay
2. SmallRig Mount Plate for Magsafe Phones 5155 - B&H Photo Video
3. Master Magnet 65 lb. Heavy Duty Round Pull Magnets - Home Depot
4. Master Magnet 25 lb. Round Base Pull Magnets 96324 - Home Depot

The Ulanzi MagSafe tripod mount (1) is too weak for me to feel comfortable using it without a safety strap for the camera. The SmallRig Mount Plate (2) is a little stronger than the Ulanzi, but still not strong enough to be completely secure.

In contrast, the Master Magnet 65 lb. heavy duty magnet (3) is too strong -- the magnet is so strong it caused the metal kitchen timer to stop rotating unexpectedly, and the bell doesn't ring when time is up.

Finally the Master Magnet 25 lb. magnet (4) is better but still disabled the bell inside the timer, making me wonder whether the timer itself actually works properly. Buyer beware: The "Questions & Answers" section on the Home Depot product page for the 25 lb. magnet says the hole "will pass a 1/4" bolt." That's incorrect. A paper insert inside the plastic package says the hole is ".197 inch," not ≧ 0.25 inches. I would have known that if I hadn't ordered the item online. My "no tools necessary" design idealogy for repurposing inexpensive mechanical timers uses off-the-shelf, ready-to-use parts available at most hardware stores -- a hole that's too small for a 1/4-20" tripod mount breaks the "ready-to-use" clause.

So there it is, after trying and failing (four times) to make a magnet mount work I decided to try using some type of clamp for the kitchen timer. I repurposed a battery clamp that I bought for my Anker PowerCore+ 26800 PD 45W (recommended by Fujifilm for use with my X-T Series cameras). I'm pleased to report the new rig performed well during field testing.

Now I have two rigs that I can use with my GoPro HERO4 Black -- either a one-hour timer or two-hour timer (mounted either right-side-up for counterclockwise rotation or upside-down for clockwise rotation). Cool, huh? Almost worth the wasted time and expense to make a magnet mount work. Almost. Anyway, trial and error is the best teacher, right?

Related Resources

• "Road Lapse" - Street Level - a blog post by Walter Sanford
• Sky Lapse 360 © 2025 - another blog post by Walter Sanford (introducing my panoramic mechanical kitchen timer)
• More power! - yet another blog post by Walter Sanford

Copyright © 2026 by Walter Sanford. All rights reserved.

"Road Lapse" - Street Level

The following panoramic time lapse video shows the view from the corner of Richmond Highway (U.S. Route 1) and Groveton Street in Fairfax County, Virginia USA during the afternoon of 11 April 2026.

The video was recorded using my GoPro HERO4 Black action camera mounted on an inexpensive one-hour mechanical kitchen timer (available from Amazon). The camera was set for "Video" mode / "Time Lapse Video" submode at a resolution of 4K and an interval of one (1) second. Approximately 18 minutes of actual recording time resulted in 35 seconds of "raw" time lapse video, given the recording settings I used.

Tech Tips

I mounted a GoPro flat adhesive mount on the kitchen timer using the same "cludgy" way I added an adhesive mount to my "Orbit" two-hour mechanical hose watering timer. The process is described in detail in an earlier blog post: "Post update: Minor modifications of 'Orbit' panoramic time lapse rig."

I recommend aligning the front of the action camera with the pointer/zero mark on the kitchen timer. I don't worry about setting the kitchen timer for a specific amount of time. I just turn the dial clockwise until it's set for one hour. Then I compose the shot and start recording for as long as I need/want.

Related Resources

• Field Test: Fujifilm X-T3 time lapse - a blog post by Walter Sanford
• "Road Lapse" along Richmond Highway - another blog post by Walter Sanford
• Sky Lapse 360 © 2025 - yet another blog post by Walter Sanford (introducing my panoramic mechanical kitchen timer)
• Atmospheric Motion - one more blog post by Walter Sanford (showing a homemade safety strap for my GoPro HERO4 Black action camera)
• GoPro HERO4 Black User Manual

Copyright © 2026 by Walter Sanford. All rights reserved.

Fujifilm X-T3 Sky Lapse

My last blog post describes field testing my Fujifilm X-T3 for making time lapse videos, when two sets of photos were taken: the first set was used to create the following "Sky Lapse" time lapse video; next I shot the set used to create the "Road Lapse" featured in my last post.

The camera was facing east toward the sky from the 6th floor of a seven-story parking garage. A time series of 302 JPG photos was shot from 12:06 pm to 12:21 pm using a three (3) second interval. 15 minutes of actual recording time resulted in approximately 10 seconds of time lapse video, given the recording settings I used.

31 March 2026. Facing east.

A few thin, wispy cirroform clouds were the only clouds in the sky. 

Panorama Photo

The following panoramic composite image was taken from the top of the same parking garage using the "Camera" app on my Apple iPad mini 6, set for "Pano" mode. The camera panned nearly 360° from west-northwest to south-southeast.

31 March 2026 at 12:42 pm. Panoramic view. (16350 x 3790 pixels.)

Wind (mph), Weather and Sky Condition

"Wind (mph)," "Weather" and "Sky Cond." are highlighted by red rectangles in the following excerpt from a table of three-day weather observations for KDCA on 31 March 2026 nearest the times when I recorded the photos used to create the time lapse video, and the panoramic composite image.

Source Credit: KDCA | National Weather Service.

A few clouds were reported at 25,000 feet. At that altitude, the cloud types were high level cirroform clouds.

Tech Tips

My Fujifilm X-T3 camera was set for manual exposure and manual focus. Aperture was set for f/11. Shutter Speed was 1/500 second. ISO was set for 160. White Balance was set for "Daylight." The focal length of the 18-55mm kit lens was set for 18mm (27mm, 35mm equivalent). Aspect Ratio was set for 16:9 (6240 x 3512 pixels). Image Quality was set for FINE+RAW (Fine JPEG plus RAF).

The ELECTRONIC LEVEL was turned on. The manual focus DEPTH-OF-FIELD SCALE was set for "FILM FORMAT BASIS."

I selected a three (3) second interval to be sure there was enough time for the camera to write the FINE+RAW files to a memory card. Each Fine JPG is 8.1 MB; each RAW (RAF) is 56.1 MB. In retrospect, my usual two (2) second interval probably would have worked.

I set the camera to use the Fujifilm "Velvia/VIVID" "Film Simulation" in the hope it would add a little "pop" to the clouds in the sky. In this case, the film simulation didn't help with the thin, wispy clouds. I haven't edited the RAW files I recorded -- maybe I can tweak them to look better than the JPEGs that were processed in-camera.

Related Resource: Field test: Fujifilm X-T3 time lapse - a blog post by Walter Sanford.

Copyright © 2026 by Walter Sanford. All rights reserved.

Field test: Fujifilm X-T3 time lapse

You know, there's more than one way to make a time lapse video and I'm a man on a mission to field test all of the gear I own that can create time lapses.

I decided to test the "Interval Timer Shooting" feature of my Fujifilm X-T3 camera. The camera has a built-in intervalometer; it doesn't do in-camera rendering of photos to video.

My camera was facing east from the 6th floor of a seven-story parking garage. A time series of 311 JPG photos was shot from 12:24 pm to 12:29 pm using a one (1) second interval. Five (5) minutes of actual recording time resulted in approximately 10 seconds of time lapse video, given the recording settings I used.

All trees "flower," some more noticeably than others, like the ones with purple- or white flowers shown in the video. At the time when this video was recorded many trees were almost in full leaf. In my experience, that's two weeks earlier than usual despite record-setting cold during this past winter.

Panorama Photo

The following panoramic composite image was taken from the 6th floor of the parking garage using the "Camera" app on my Apple iPad mini 6, set for "Pano" mode. The camera was facing east. No, the black metal safety railing isn't actually curved.

31 March 2026. Facing east.

Tech Tips

My Fujifilm X-T3 camera was set for manual exposure and manual focus. Aperture was set for f/11. Shutter Speed was 1/500 second. ISO was set for 160. White Balance was set for "Daylight." The focal length of the 18-55mm kit lens was set for 18mm (27mm, 35mm equivalent). Aspect Ratio was set for 16:9 (6240 x 3512 pixels). Image Quality was set for Fine JPEG.

The ELECTRONIC LEVEL (green line) was turned on. The manual focus DEPTH-OF-FIELD SCALE (blue bar), set for "FILM FORMAT BASIS," indicated everything from slightly more than three (3) feet to infinity was acceptably in focus, as shown in the following HDMI screenshot of the X-T3 LCD.

ELECTRONIC LEVEL (green line) | DEPTH-OF-FIELD SCALE (blue bar)

Fujifilm "Film Simulations" are "recipes" for recording JPG files in-camera. ("Film Simulations" aren't applied to RAW files.) I set the camera to use the "Velvia/VIVID" "Film Simulation." ("Vibrant reproduction, ideal for landscape and nature." Source Credit: Fujifilm.)

Apple "QuickTime" was used to render the video; the output was edited using Apple "Photos." Titles, credits, and a music bed were added using Apple "iMovie."

Related Resources 

• "Road Lapse" along Richmond Highway - a blog post by Walter Sanford
• Time-Lapse Photography: A Complete Guide [using Fujifilm X-T3 camera] (37:56) - a YouTube video by pal2tech
• Fujifilm Depth of Field Focus Scale (8:37) - a YouTube video by pal2tech
• Fuji Depth of Field Scale Pixel Basis vs Film Format Basis (4:15) - a YouTube video by Grandads Reviews

Editorial Commentary: Both "pal2tech" and "Grandads Reviews" are correct in their explanation of how the Fujifilm "Depth-of-Field Scale" works but I chose to follow "Grandads Reviews" recommendation to set the scale for "Film Format Basis" when doing landscape photography.

I think the Fujifilm "Depth-of-Field Scale" set for "Film Format Basis" looks like and works similarly to the manual focus scale (yellow bar) featured in my Panasonic LUMIX DMC-FZ150, shown below.

Panasonic LUMIX DMC-FZ150 LCD showing manual focus scale (yellow bar).

Looking at my photos, I'm satisfied with the results from using the "Film Format Basis" setting.

Copyright © 2026 by Walter Sanford. All rights reserved.

"Both Sides Now" Redux

Once again I collaborated with my good friend Luis Acosta to look at clouds from both sides.

I've looked at clouds from both sides now
From up and down and still somehow ...

Source Credit: Both Sides Now, by Joni Mitchell.

Looking Up

My Panasonic LUMIX DMC-FZ300 superzoom bridge camera was facing east-southeast from the 6th floor of a seven-story parking garage. A time series of 250 JPG photos was shot from 1:24 pm to 1:36 pm using a three (3) second interval. 12.5 minutes of actual recording time resulted in approximately eight seconds of time lapse video, given the recording settings I used.

A short time lapse video segment was created in-camera using the FZ300. The in-camera video creation process features an option to change the duration of the output -- I selected the option to double the duration of the video segment from eight (8) seconds to 17 seconds. The output was edited using Apple "Photos."

20 March 2026. Facing east. (0:17 s)

The next time lapse video was created using Apple "QuickTime" to render the same 250 JPG photos. The output was edited using Apple "Photos."

20 March 2026. Facing east. (0:08 s)

Both videos show high level cirroform clouds moving across the sky from west-northwest to east-southeast.

Panorama Photos

The following panoramic composite images were taken from the top of the same parking garage using the "Camera" app on my Apple iPad mini 6, set for "Pano" mode. The camera panned nearly 360° from west-northwest to south-southeast.

2:12 pm. Wider panoramic view. (15394 x 3678 pixels.)

2:17 pm. Wider panoramic view. (15905 x 3640 pixels.)

Wind (mph), Weather and Sky Condition

"Wind (mph)," "Weather" and "Sky Cond." are highlighted by red rectangles in the following excerpt from a table of three-day weather observations for KDCA on 20 March 2026 nearest the times when I recorded the photos used to create the time lapse videos, and the panoramic composite images.

Source Credit: KDCA | National Weather Service.

"Sky Condition" was reported as FEW, SCT, and BKN -- the cloud level was 25,000 feet at all times. The sky was filled with a mix of high level cirroform clouds, as mentioned previously in this blog post.

Looking Down

The following images were captured from Meteor M2-4 -- one of two Russian polar orbiting weather satellites -- during the afternoon on 20 March 2026 by Luis Acosta, my good friend and amateur radio guru.

Luis's ground station is located in New Jersey (USA) but as you can see the view shown in the satellite images includes my location in Northern Virginia (USA). Although the time of the satellite pass (4:22 p.m. EDT) isn't perfectly synchronous with the times of my time lapse video and panoramas it's close enough.

Meteor M2-4. Image used with permission from Luis Acosta.

Meteor M2-4. Image used with permission from Luis Acosta.

Zoom in on the mid-Atlantic region (USA). Notice Luis's weather satellite images (above) show the same mix of cirroform clouds as is shown in my time lapse videos and panoramic images.

The following video was created by Luis Acosta. Video used with permission from Luis.

Tech Tips

My Panasonic LUMIX DMC-FZ300 camera was set for manual exposure and manual focus. Aperture was set for f/7.1. Shutter Speed was 1/500 second. ISO was set for 100. White Balance was set for "Daylight." The focal length was 4.5mm (25mm, 35mm equivalent). Aspect Ratio was set for 16:9 (4000 x 2248 pixels). [Picture] Quality was set for Fine JPG; each Fine JPG is 2.7 MB.

Luis's weather satellite receiving ground station includes the following hardware and software: Raspberry Pi 4 running the RaspiNOAA V2 image; RTL-SDR V4; generic wideband low noise amplifier (LNA); and DIY Quadrifilar Helix (QFH) antenna.

The "zoom in" video (shown above) was created by Luis using the "ActionDirector" Android app running on his Samsung Galaxy S21 Ultra smartphone.

Related Resources

• Both Sides Now - a blog post by Walter Sanford
• Halo - another blog post by Walter Sanford [Note: See the section entitled "Tech Tips" for information about how to capture very wide panoramic views of the sky.]

Copyright © 2026 by Walter Sanford. All rights reserved.

"Road Lapse" along Richmond Highway

The following time lapse video shows two "Road Lapses" along Richmond Highway, U.S. Route 1 in Fairfax County, Virginia USA on 20 March 2026. [Source Credit: Thanks to my good friend Luis Acosta for suggesting the name "Road Lapse."]

My Panasonic LUMIX DMC-FZ300 superzoom bridge camera was facing east-southeast from the 6th floor of a seven-story parking garage. Notice the trees look "nervous" due to a wind speed of 10-12 mph reported at KDCA. High level cirroform clouds appear to be moving across the sky from west-northwest to east-southeast.

20 March 2026. Facing east-southeast.

Camera Settings

The camera was set for manual exposure and manual focus. ISO was set for 100. White Balance was set for "Daylight." The focal length was 4.5mm (25mm, 35mm equivalent). Aspect Ratio was set for 16:9 (4000 x 2248 pixels). [Picture] Quality was set for Fine JPEG. Each Fine JPG is 2.7 MB.

I recorded two sets of 200 photos per set using an interval of one (1) second. The first video segment was created using an aperture of f/7.1 and a shutter speed of 1/200 second. The last video segment was created using an aperture of f/7.1; the shutter speed was increased to 1/500 second in order to slightly underexpose the clouds in the sky.

Tech Tips

Two short time lapse video segments, created in-camera using my Panasonic LUMIX DMC-FZ300 superzoom bridge camera, were edited using Apple "Photos" and combined using Apple "iMovie."

The in-camera video creation process features an option to increase the duration of the output -- I selected the option to double the duration of both video segments. Based upon a limited sample size, I think in-camera creation of time lapse videos works well.

Wind (mph), Weather and Sky Condition

"Wind (mph)," "Weather" and "Sky Cond." are highlighted by red rectangles in the following excerpt from a table of three-day weather observations for KDCA on 20 March 2026 nearest the times when I recorded the photos used to create the time lapse videos shown above.

Source Credit: KDCA | National Weather Service.

Related Resource: Time lapse field test using Panasonic LUMIX DMC-FZ150 - a blog post by Walter Sanford

Copyright © 2026 by Walter Sanford. All rights reserved.

Time lapse field test using Panasonic LUMIX DMC-FZ150

The following time lapse videos show the sky over Fairfax County, Virginia USA during the afternoon on 11 March 2026.

My Panasonic LUMIX DMC-FZ150 superzoom camera was set to record Standard JPG plus RAW (RW2) files using an interval of two (2) seconds. [Note: I should have set the camera to record Fine JPG plus RAW. Oops!] 215 photos of each file type were recorded. Each photo is 4000 x 3000 pixels. Approximately 11 minutes of actual recording time resulted in 7 seconds of time lapse video, given the recording settings I used.

Apple "QuickTime" was used to quickly convert the JPG files into a .mov file.

1. launch "QuickTime"
2. select File / Open Image Sequence...
3. set Resolution: Actual Size
4. set Frame Rate: 30 frames per second
5. Encode For: Greater Compatibility (H.264)
6. click "Open" button
7. select File / Save...

Apple "Photos" was used to post-process the resulting .mov file.

11 March 2026. Facing north-northwest.

Here's the same video clip showing the output from Apple "QuickTime" before it was edited using Apple "Photos."

11 March 2026. Facing north-northwest.

Camera Settings

The photos were intentionally slightly underexposed in order to preserve/recover highlights in the clouds. My camera was set for manual exposure (aperture f/7.1, shutter speed 1/800 s) and manual focus [~2 feet to infinity (∞) was acceptably in focus using the hyperfocal distance for f/7.1]. ISO was set for 100. White Balance was set for "Daylight." The focal length was 4.5mm (25mm, 35mm equivalent).

Each Standard JPG is 2.1 MB; each RAW (RW2) is 14.8 MB.

I tried to shoot another time lapse, but there was a write error after only 16 photos were recorded to the memory card. I speculate the recording settings I used were too demanding for my older camera/memory card. For more information about the type of memory card I used, see the section entitled Tech Tips (below).

Decisions, decisions.

I own two Panasonic LUMIX superzoom cameras: an older DMC-FZ150; and a newer DMC-FZ300. The FZ150 can be used to shoot time lapses using an external intervalometer; the resulting time-series of photos must be post-processed to convert the photos to video. The FZ300 features both a built-in intervalometer and in-camera processing of time lapse videos.

So you might be wondering why I decided to use my older superzoom camera for the first time lapse field test. In my strong opinion, the FZ150 features a much better implementation of manual focus than the FZ300. Newer isn't always better! Hey Panasonic – are you listening? Please bring back the old way of setting manual focus using a colored bar that represents the range of distances that are in focus, as shown in the following photo.

Yellow manual focus bar indicates range of distances (feet) in focus.

Intervalometer

A JJC TM-Series Multi-Function Timer Remote Control was connected to the camera. You don't need to set everything on the intervalometer. I used the following settings.

• DE (Delay/Countdown): 5 s
• BU (Bulb): 0 s
• INT (Interval): 2 s ← 3-5 s might have been better for my older camera/memory card.]
• N (Number): set for "--" (two dashes) ← This setting means the camera will continue shooting photos until the START/STOP button on the intervalometer is pressed.
• Speaker (sound): On

Tech Tips

Everything You Need to Know About SD Cards by B&H eXplora provides a clear and concise explanation of the numbers and symbols that appear on SD memory cards.

Memory card used with my Panasonic LUMIX DMC-FZ150.

Weather and Sky Condition (shown in my videos)

"Weather" and "Sky Cond." are highlighted by a red rectangle in the following excerpt from a table of three-day weather observations for KDCA on 11 March 2026 nearest the times when I recorded the photos used to create the time lapse video shown above (2:11 - 2:22 pm). At 13:52 (1:52 pm) the Sky Condition was reported as "FEW" at 8,500 feet, "SCT" at 11,000 feet, and "BKN" at 16,000 feet. At 14:52 (2:52 pm) the Sky Condition was essentially the same as an hour earlier: "FEW" at 8,000 feet; "FEW" at 11,000 feet; and "BKN" at 14,000 feet. At both times, there was a mix of middle- and high level clouds in the sky.

Source Credit: KDCA | National Weather Service.

Remember FEW = Few = 1/8 to 2/8 of sky coverage, SCT - Scattered = 3/8 to 4/8 of sky coverage, and BKN = Broken = 5/8 to 7/8 of sky coverage. See my blog post entitled "Cloud identification" for more information about how to use "levels" to make cloud identification a little easier.

What's next?

First, I need experiment with using RAW (RW2) photo files to create time lapse video. Whenever possible, I like to use free applications like Apple "QuickTime" and Apple "iMovie" to create relatively high quality time lapse video content. That being said, working with RAW photo files almost certainly means I will need to use Adobe Lightroom and Adobe Photoshop – applications that are available only by subscription. I have both Adobe applications; there are many ways they can be used to create time lapse videos and I need to experiment to see which process works best for me.

Next, I need to do a time lapse field test using my Panasonic LUMIX DMC-FZ300. "I bought a SUPERZOOM timelapse camera - Lumix FZ82" (12:22) – a YouTube video by time lapse expert Matthew Vandeputte – inspired me to try using my FZ150 and FZ300 superzoom cameras for creating time lapse video. As I mentioned earlier in this blog post, the FZ300 features both a built-in intervalometer and in-camera processing of time lapse videos so I should use the FZ300 for my next field test.

Related Resources

• Creating time lapse video with the Panasonic FZ300;330;1000;2000;2500 (11:03) - a YouTube video by Graham Houghton
• How to make a timelapse with iMovie (7:17) - a YouTube video by Matthew Vandeputte [Note: Matthew demonstrates how to use Apple "QuickTime" to make a time lapse video, beginning at the ~4:50 s mark.]
• JJC TM-Series Instruction Manual - Multi-function timer remote control
• JJC TM wired remote control review (3:54) - a YouTube video by by Camerahoarders
• "Road Lapse" along Richmond Highway - a blog post by Walter Sanford

Copyright © 2026 by Walter Sanford. All rights reserved.