CommerciaLapse

The following panoramic time lapse video shows the view from the parking lot of a Giant Food grocery store located in Fairfax County, Virginia USA. The camera pans counterclockwise from north-northeast to south-southwest.

11 April 2026.

The video was recorded using my GoPro HERO4 Black action camera mounted on an inexpensive one-hour mechanical kitchen timer (available from Amazon). The camera was set for "Video" mode / "Time Lapse Video" submode at a resolution of 4K and an interval of one (1) second. Approximately 18 minutes of actual recording time resulted in 35 seconds of "raw" time lapse video, given the recording settings I used.

A sequence of three photos shows my latest magnet-free rig for mounting the mechanical kitchen timer on a tripod.

Side view of the rig.

The component parts, numbered in the preceding photo, are listed below.

1. GoPro J-hook buckle mount
2. GoPro flat adhesive mount
3. Kitchen timer (available from Amazon)
4. SmallRig Mount Plate for Magsafe Phones 5155
5. SmallRig Universal Power Bank Holder 2790
6. Manfrotto 323 RC2 Quick Release Adapter with 200PL-14 323

The SmallRig Mount Plate (4) is optional; the SmallRig Universal Power Bank Holder (5) is essential. The latter is so secure I feel comfortable using the rig upside-down for clockwise rotation.

View from the bottom of the rig.

I mounted a GoPro flat adhesive mount on the kitchen timer using the same "cludgy" way I added an adhesive mount to my "Orbit" two-hour mechanical hose watering timer. The process is described in detail in an earlier blog post: "Post update: Minor modifications of 'Orbit' panoramic time lapse rig."

View from the top of the rig.

Magnet mounts

The one-hour mechanical kitchen timer has a flat top and bottom: the top is metal; the bottom is magnetic. Naturally I thought the best way to mount the kitchen timer on a camera tripod would be to use some type of magnetic mount. The following list shows all the magnet mounts I tested. Spoiler alert: Every magnet mount I tried failed, for one reason or another.

1. Ulanzi R101 Universl MagSafe to 1/4 20 Tripod Base Mount for iPhone - eBay
2. SmallRig Mount Plate for Magsafe Phones 5155 - B&H Photo Video
3. Master Magnet 65 lb. Heavy Duty Round Pull Magnets - Home Depot
4. Master Magnet 25 lb. Round Base Pull Magnets 96324 - Home Depot

The Ulanzi MagSafe tripod mount (1) is too weak for me to feel comfortable using it without a safety strap for the camera. The SmallRig Mount Plate (2) is a little stronger than the Ulanzi, but still not strong enough to be completely secure.

In contrast, the Master Magnet 65 lb. heavy duty magnet (3) is too strong -- the magnet is so strong it caused the metal kitchen timer to stop rotating unexpectedly, and the bell doesn't ring when time is up.

Finally the Master Magnet 25 lb. magnet (4) is better but still disabled the bell inside the timer, making me wonder whether the timer itself actually works properly. Buyer beware: The "Questions & Answers" section on the Home Depot product page for the 25 lb. magnet says the hole "will pass a 1/4" bolt." That's incorrect. A paper insert inside the plastic package says the hole is ".197 inch," not ≧ 0.25 inches. I would have known that if I hadn't ordered the item online. My "no tools necessary" design idealogy for repurposing inexpensive mechanical timers uses off-the-shelf, ready-to-use parts available at most hardware stores -- a hole that's too small for a 1/4-20" tripod mount breaks the "ready-to-use" clause.

So there it is, after trying and failing (four times) to make a magnet mount work I decided to try using some type of clamp for the kitchen timer. I repurposed a battery clamp that I bought for my Anker PowerCore+ 26800 PD 45W (recommended by Fujifilm for use with my X-T Series cameras). I'm pleased to report the new rig performed well during field testing.

Now I have two rigs that I can use with my GoPro HERO4 Black -- either a one-hour timer or two-hour timer (mounted either right-side-up for counterclockwise rotation or upside-down for clockwise rotation). Cool, huh? Almost worth the wasted time and expense to make a magnet mount work. Almost. Anyway, trial and error is the best teacher, right?

Related Resources

• "Road Lapse" - Street Level - a blog post by Walter Sanford
• Sky Lapse 360 © 2025 - another blog post by Walter Sanford (introducing my panoramic mechanical kitchen timer)
• More power! - yet another blog post by Walter Sanford

Copyright © 2026 by Walter Sanford. All rights reserved.

"Road Lapse" - Street Level

The following panoramic time lapse video shows the view from the corner of Richmond Highway (U.S. Route 1) and Groveton Street in Fairfax County, Virginia USA during the afternoon of 11 April 2026.

The video was recorded using my GoPro HERO4 Black action camera mounted on an inexpensive one-hour mechanical kitchen timer (available from Amazon). The camera was set for "Video" mode / "Time Lapse Video" submode at a resolution of 4K and an interval of one (1) second. Approximately 18 minutes of actual recording time resulted in 35 seconds of "raw" time lapse video, given the recording settings I used.

Tech Tips

I mounted a GoPro flat adhesive mount on the kitchen timer using the same "cludgy" way I added an adhesive mount to my "Orbit" two-hour mechanical hose watering timer. The process is described in detail in an earlier blog post: "Post update: Minor modifications of 'Orbit' panoramic time lapse rig."

I recommend aligning the front of the action camera with the pointer/zero mark on the kitchen timer. I don't worry about setting the kitchen timer for a specific amount of time. I just turn the dial clockwise until it's set for one hour. Then I compose the shot and start recording for as long as I need/want.

Related Resources

• Field Test: Fujifilm X-T3 time lapse - a blog post by Walter Sanford
• "Road Lapse" along Richmond Highway - another blog post by Walter Sanford
• Sky Lapse 360 © 2025 - yet another blog post by Walter Sanford (introducing my panoramic mechanical kitchen timer)
• Atmospheric Motion - one more blog post by Walter Sanford (showing a homemade safety strap for my GoPro HERO4 Black action camera)
• GoPro HERO4 Black User Manual

Copyright © 2026 by Walter Sanford. All rights reserved.

Fujifilm X-T3 Sky Lapse

My last blog post describes field testing my Fujifilm X-T3 for making time lapse videos, when two sets of photos were taken: the first set was used to create the following "Sky Lapse" time lapse video; next I shot the set used to create the "Road Lapse" featured in my last post.

The camera was facing east toward the sky from the 6th floor of a seven-story parking garage. A time series of 302 JPG photos was shot from 12:06 pm to 12:21 pm using a three (3) second interval. 15 minutes of actual recording time resulted in approximately 10 seconds of time lapse video, given the recording settings I used.

31 March 2026. Facing east.

A few thin, wispy cirroform clouds were the only clouds in the sky. 

Panorama Photo

The following panoramic composite image was taken from the top of the same parking garage using the "Camera" app on my Apple iPad mini 6, set for "Pano" mode. The camera panned nearly 360° from west-northwest to south-southeast.

31 March 2026 at 12:42 pm. Panoramic view. (16350 x 3790 pixels.)

Wind (mph), Weather and Sky Condition

"Wind (mph)," "Weather" and "Sky Cond." are highlighted by red rectangles in the following excerpt from a table of three-day weather observations for KDCA on 31 March 2026 nearest the times when I recorded the photos used to create the time lapse video, and the panoramic composite image.

Source Credit: KDCA | National Weather Service.

A few clouds were reported at 25,000 feet. At that altitude, the cloud types were high level cirroform clouds.

Tech Tips

My Fujifilm X-T3 camera was set for manual exposure and manual focus. Aperture was set for f/11. Shutter Speed was 1/500 second. ISO was set for 160. White Balance was set for "Daylight." The focal length of the 18-55mm kit lens was set for 18mm (27mm, 35mm equivalent). Aspect Ratio was set for 16:9 (6240 x 3512 pixels). Image Quality was set for FINE+RAW (Fine JPEG plus RAF).

The ELECTRONIC LEVEL was turned on. The manual focus DEPTH-OF-FIELD SCALE was set for "FILM FORMAT BASIS."

I selected a three (3) second interval to be sure there was enough time for the camera to write the FINE+RAW files to a memory card. Each Fine JPG is 8.1 MB; each RAW (RAF) is 56.1 MB. In retrospect, my usual two (2) second interval probably would have worked.

I set the camera to use the Fujifilm "Velvia/VIVID" "Film Simulation" in the hope it would add a little "pop" to the clouds in the sky. In this case, the film simulation didn't help with the thin, wispy clouds. I haven't edited the RAW files I recorded -- maybe I can tweak them to look better than the JPEGs that were processed in-camera.

Related Resource: Field test: Fujifilm X-T3 time lapse - a blog post by Walter Sanford.

Copyright © 2026 by Walter Sanford. All rights reserved.

Field test: Fujifilm X-T3 time lapse

You know, there's more than one way to make a time lapse video and I'm a man on a mission to field test all of the gear I own that can create time lapses.

I decided to test the "Interval Timer Shooting" feature of my Fujifilm X-T3 camera. The camera has a built-in intervalometer; it doesn't do in-camera rendering of photos to video.

My camera was facing east from the 6th floor of a seven-story parking garage. A time series of 311 JPG photos was shot from 12:24 pm to 12:29 pm using a one (1) second interval. Five (5) minutes of actual recording time resulted in approximately 10 seconds of time lapse video, given the recording settings I used.

All trees "flower," some more noticeably than others, like the ones with purple- or white flowers shown in the video. At the time when this video was recorded many trees were almost in full leaf. In my experience, that's two weeks earlier than usual despite record-setting cold during this past winter.

Panorama Photo

The following panoramic composite image was taken from the 6th floor of the parking garage using the "Camera" app on my Apple iPad mini 6, set for "Pano" mode. The camera was facing east. No, the black metal safety railing isn't actually curved.

31 March 2026. Facing east.

Tech Tips

My Fujifilm X-T3 camera was set for manual exposure and manual focus. Aperture was set for f/11. Shutter Speed was 1/500 second. ISO was set for 160. White Balance was set for "Daylight." The focal length of the 18-55mm kit lens was set for 18mm (27mm, 35mm equivalent). Aspect Ratio was set for 16:9 (6240 x 3512 pixels). Image Quality was set for Fine JPEG.

The ELECTRONIC LEVEL (green line) was turned on. The manual focus DEPTH-OF-FIELD SCALE (blue bar), set for "FILM FORMAT BASIS," indicated everything from slightly more than three (3) feet to infinity was acceptably in focus, as shown in the following HDMI screenshot of the X-T3 LCD.

ELECTRONIC LEVEL (green line) | DEPTH-OF-FIELD SCALE (blue bar)

Fujifilm "Film Simulations" are "recipes" for recording JPG files in-camera. ("Film Simulations" aren't applied to RAW files.) I set the camera to use the "Velvia/VIVID" "Film Simulation." ("Vibrant reproduction, ideal for landscape and nature." Source Credit: Fujifilm.)

Apple "QuickTime" was used to render the video; the output was edited using Apple "Photos." Titles, credits, and a music bed were added using Apple "iMovie."

Related Resources 

• "Road Lapse" along Richmond Highway - a blog post by Walter Sanford
• Time-Lapse Photography: A Complete Guide [using Fujifilm X-T3 camera] (37:56) - a YouTube video by pal2tech
• Fujifilm Depth of Field Focus Scale (8:37) - a YouTube video by pal2tech
• Fuji Depth of Field Scale Pixel Basis vs Film Format Basis (4:15) - a YouTube video by Grandads Reviews

Editorial Commentary: Both "pal2tech" and "Grandads Reviews" are correct in their explanation of how the Fujifilm "Depth-of-Field Scale" works but I chose to follow "Grandads Reviews" recommendation to set the scale for "Film Format Basis" when doing landscape photography.

I think the Fujifilm "Depth-of-Field Scale" set for "Film Format Basis" looks like and works similarly to the manual focus scale (yellow bar) featured in my Panasonic LUMIX DMC-FZ150, shown below.

Panasonic LUMIX DMC-FZ150 LCD showing manual focus scale (yellow bar).

Looking at my photos, I'm satisfied with the results from using the "Film Format Basis" setting.

Copyright © 2026 by Walter Sanford. All rights reserved.